The headset haptics play their part in selling impact, and also make a grim appearance during an unpleasant slow procession through one section of the game.Īt one point you can pick up a UV light that highlights weak spots in obstacles as you’re pursued by an unkillable monster. You can physically move your body out of the way of trackside obstacles by leaning left and right or ducking. Supermassive Games has done a fantastic job of showcasing PSVR 2’s toolset to immerse you in Switchback’s ghost train ride from hell. These usually involve a jump scare or shooting a small horde of enemies, but as we’ll get into, Switchback throws in some delightful curveballs along the way.īeing confined to a railcar isn’t as restricting as you’d think. Embracing the funfair mood entirely, the railcar will stop for sections to indulge in a little set piece. You may be on rails, but the action is not constantly on the move. It’s amusing to see the mechanic revert back to its most literal form, and I’m glad to see that it works wonders even when simplified. In keeping with Supermassive Games tradition, there are branching paths that offer up some narrative choices and alternate encounters. Power-ups become available to temporarily offer better weapons, but the pistols do a fine job in most instances. The idea is to blast anything threatening that emerges on the path, and also take out objects with yellow symbols on them to rack up your score. Life Is A RollercoasterĪs for the guns, you’re armed initially with a pair of pistols. It’s as important as anything else for creating Switchback’s immersion. The sound design adds some authentic flair to every movement of the cart and rustle of something in the darkness. VR does wonders for capturing that lurching feeling of riding a rollercoaster straight down after an ascent, or turning corners at speed. The majority of Switchback is about riding the rails and shooting things.
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